Dhara
We finish every piece with food-grade Belgian linseed and tung oil — applied by hand, allowed to penetrate, then wire-brushed and re-oiled. The oil hardens inside the wood, not on top of it.
Pigmented oils are also available within each wood category — natural, chocolate, smoke or invisible.
Wings or the bird in flight - hand carved
Our philosophy is rooted in the Japanese tradition of Shokunin — the social obligation of the craftsman to do their best for the general welfare of the people. This is expressed through complex, glue-less joinery that allows the wood to expand and contract without compromising structural integrity.
With backgrounds in precision engineering and architectural systems,they began in a small rented garage in Gurgaon — dismantling old joinery, studying how timber breathes, moves, and ages across seasons. It was here that engineering rigor first met the organic complexity of solid wood.
Today, the studio is a manifestation of that obsession a space where logic meets ancestral instinct.
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Design Collections
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Swan
Exploration of negative space through traditional Indian carving techniques.
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Dhara
Exploration of negative space through traditional Indian carving techniques.
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Carved Voids
Exploration of negative space through traditional Indian carving techniques.
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Ignis
Exploration of negative space through traditional Indian carving techniques.
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Virasat
Exploration of negative space through traditional Indian carving techniques.
